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建立人际资源圈"双城记"中的基督教思想论文-Essay代写范文
2017-01-30 来源: 51due教员组 类别: Essay范文
Essay代写范文:“《双城记》中的基督教思想论文”，这篇论文主要描述的是《基督山伯爵》中四个主人翁爱德蒙·唐太斯、弗尔南多、美塞苔丝和海黛等情侣之间恋爱所引发的矛盾。我们能够发现爱情在整个爱情故事中扮演了两个截然不同的角色——杀手与拯救者。爱德蒙·唐太斯对美塞苔丝深深的爱使他迷失在复仇的怪圈中不能自拔，因为美塞苔丝没有遵守自己的诺言，嫁给了弗尔南多，而他恰恰是爱德蒙·唐太斯真正意义上的仇人。
1. Introduction
The name of Alexandre Dumas is synonymous with romance and adventure. In June 1844 he wrote The Count of Monte Cristo, his most enduring novel. It has not only delighted generations of readers but made history exciting. It is a great pity that so far we have done little research on this book. This paper centers on the research in the field of love in The Count of Monte Cristo. [1]
Love is a forever theme in every form of literature. Alexandre Dumas has no exception since he is such a romantic person. But Alexandre Dumas has given a new annotation to love. In his novel The Count of Monte Cristo, love plays two different roles----a killer and a saver.
2. Context
2.1 Plot overview
At the age of nineteen, Edmond Dantes seems to have the perfect life. He is about to become the captain of a ship; He is engaged to a beautiful and kind young woman, Mercedes; And he is well liked by almost everyone who knows him. This perfect life, however, stirs up dangerous jealousy among some of Dantes’ so-called friends. Danglars, the treasurer of Dantes ship, envies Dantes’ early career success; Mondego Mondego is in love with Dantes’ fiancee and so covets his amorous success; His neighbor Caderousse is simply envious that Dantes is so much luckier in life than he is.
Together, these three men draft a letter accusing Dantes of treason. There is some truth to their accusations: As a favor to his recently deceased captain, Dantes is carrying a letter from Napoleon to a group of Bonapartist sympathizers in Paris. Though Dantes himself has no political leanings, the undertaking is enough to implicate him for treason. On the day of his wedding, Dantes is arrested for his alleged crimes.
The deputy public prosecutor, Villefort, sees through the plot to frame Dantes and is prepared to set him free. At the last moment, though, Dantes jeopardizes his freedom by revealing the name of the man to whom he is supposed to deliver Napoleon’s letter. The man, Noirtier, is Villefort’s father. Terrified that any public knowledge of his father’s treasonous activities will thwart his own ambitions, Villefort decides to send Dantes to prison for life. Despite the entreaties of Monsieur Morrel, Dantes’ kind and honest boss, Dantes is sent to the infamous Chateau d’If, where the most dangerous political prisoners are kept.
While in prison, Dantes meets Abbe Faria, an Italian priest and intellectual, who has been jailed for his political views. Faria teaches Dantes history, science, philosophy, and languages, turning him into a well-educated man. Faria also bequeaths Dantes a large treasure hidden on the island of Monte Cristo, and he tells him how to find it should he ever escape. When Faria dies, Dantes hides himself in the abbe’s shroud, thinking that he will be buried and then dig his way out. Instead, Dantes is thrown into the sea, and is able to cut himself loose and swim to freedom.
Dantes travels to Monte Cristo and finds Faria’s enormous treasure. He considers his fortune a gift from God, given to him for the sole purpose of rewarding those who have tried to help him and, more important, punishing those who have hurt him. Disguising himself as an Italian priest who answers to the name of Abbe Busoni, he travels back to Marseilles and visits Caderousse, who is now struggling to make a living as an innkeeper. From Caderousse he learns the details of the plot to frame him. In addition, Dantes learns that his father has died of grief in his absence and that Mercedes has married Mondego. Most frustrating, he learns that both Danglars and Mondego have become rich and powerful and are living happily in Paris. As a reward for this information, and for Caderousse’s apparent regret over the part he has played in Dantes’ downfall, Dantes gives Caderousse a valuable diamond. Before leaving Marseilles, Dantes anonymously saves Morrel from financial ruin.
Ten years later, Dantes emerges in Rome, calling himself the Count of Monte Cristo. He seems to be all knowing and unstoppable. In Rome Dantes ingratiates himself with Albert de Morcerf, son of Mondego and Mercedes, by saving him from bandits. In return for the favor, Albert introduces Dantes to Parisian society. None of his old cohorts recognize the mysterious count as Edmond Dantes, though Mercedes does. Dantes is thus able to insinuate himself effortlessly into the lives of Danglars, Mondego, and Villefort. Armed with damning knowledge about each of them that he has gathered over the past decade, Dantes sets an elaborate scheme of revenge into motion. Mondego, now known as the Count de Morcerf, is the first to be punished. Dantes exposes Morcerf’s darkest secret: Morcerf made his fortune by betraying his former patron, the Greek vizier Ali Pacha. He then sold Ali Pacha’s wife and daughter into slavery. Ali Pacha’s daughter, Haydee, who has lived with Dantes ever since he bought her freedom seven years earlier, testifies against Morcerf in front of the senate, irreversibly ruining his good name. Ashamed by Morcerf’s treachery, Albert and Mercedes flee, leaving their tainted fortune behind. Morcerf commits suicide.
Villefort’s punishment comes slowly and in several stages. Dantes first takes advantage of Madame de Villefort’s murderous intent, subtly tutoring her in the use of poison. As Madame de Villefort wreaks her havoc, killing off each member of the household in turn, Dantes plants the seeds for yet another public expose. In court, it is revealed that Villefort is guilty of attempted infanticide, as he tried to bury his illegitimate baby while it was still alive. Believing that everyone he loves is dead and knowing that he will soon have to answer severe criminal charges, Villefort goes insane.
For his revenge on Danglars, Dantes simply plays upon his greed. He opens various false credit accounts with Danglars that cost him vast amounts of money. He also manipulates Danglars’ unfaithful and dishonest wife, costing Danglars more money, and helps Danglars’ daughter, Eugenie, run away with her female companion. Finally, when Danglars is nearly broke and about to flee without paying any of his creditors, Dantes has the Italian bandit Luigi Vampa kidnap him and relieve him of his remaining money. Dantes spares Danglars’ life, but leaves him penniless.
Meanwhile, as these acts of vengeance play out, Dantes also tries to complete one more act of goodness. Dantes wishes to help the brave and honorable Maximilian Morrel, the son of the kind shipowner, so he hatches an elaborate plot to save Maximilian’s fiancee, Valentine Villefort, from her murderous stepmother, to ensure that the couple will be truly happy forever. Dantes gives Valentine a pill that makes her appear dead and then carries her off to the island of Monte Cristo. For a month Dantes allows Maximilian to believe that Valentine is dead, which causes Maximilian to long for death himself. Dantes then reveals that Valentine is alive. Having known the depths of despair, Maximilian is now able to experience the heights of ecstasy. Dantes too ultimately finds happiness, when he allows himself to fall in love with the adoring and beautiful Haydee.[2]
2.2 Context on the author
Like his Romantic colleagues, Dumas believed in the principles of social equality and individual rights. [4] He tried to infuse his dramatic works with these principles. Dumas went further than writing about his beliefs, however. He took an active role in the Revolution of 1830, helping to capture a powder magazine at Soissons, and he was appointed organizer of the National Guard at Vendee. Encountering strong local opposition, Dumas gave up the position, refusing to act against the wishes of the majority.
Returning to the literary community of Paris, Dumas continued to write popular plays, sticking to historical works that he filled with melodrama. He also began to write travel literature, which led to a walking tour of southern France in 1834 [5] (a tour that he would later put to use in The Count of Monte Cristo). In the late 1830s, Dumas began writing novels, as much for financial gain as for artistic reasons. At that time, it was common for cheap newspapers to run novels in serial form. If a writer was adept at writing quickly and melodramatically, as Dumas was, the financial incentives would be enormous. Dumas was so good at this sort of writing that he sometimes had three or four serial novels running simultaneously. His writing soon made him the most famous Frenchman of his day, and he gained renown throughout the Western world. In 1844, the same year when he published The Three Musketeers, Dumas began the serialization of The Count of Monte Cristo. He continued writing prolifically for most of his life, publishing his last novel, The Prussian Terror, in 1867, three years before his death.
Dumas was also a generous man, granting money and gifts to virtually anyone who asked. Dumas’ self-indulgent lifestyle and excessive generosity eventually took a toll on his finance. By the time he suffered a stroke in 1870, he was far from a rich man, despite the fact that he had earned millions of dollars in his lifetime. He died in December, 1870.
2.3 The origin of the story of The Counte of Monte Cristo
Dumas’ liberal borrowing from outside sources occasionally brought him accusations of plagiarism. While he lifted many of his plotlines from the works of other authors and from historical events, he molded these stories in his own characteristic way, making them his own. The Count of Monte Cristo is an example of the appropriation process Dumas frequently employed. His inspiration for the novel was from an anecdote he read in Memoires historiques tires des archives de la police de Paris,[6]a collection of intriguing criminal cases recorded by Jacques Peuchet, a former police archivist. The anecdote relates that in 1807, a man named Fran?ois Pi?aud became engaged to a pretty and wealthy girl, inspiring the envy of his friends. One of these friends, Loupian, persuaded the others to join him in denouncing Pi?aud as an English spy. Though innocent of the charge, Pi?aud was arrested and kept in prison for seven years. While in prison, he befriended a rich Italian cleric who left Pi?aud his vast fortune when he died. Pi?aud returned to Paris in 1815 as a wealthy man. Using his wealth, as well as numerous disguises, he enacted a complex plan to avenge himself on his enemies, murdering several of them. Though this real-life story has all the essential plot elements of Dumas’ novel, it lacks the fantastical, epic proportions of a great melodrama. Dumas’ greatest gift was his ability to grant epic proportion to existing stories.[7]
3. Introduction of the lovers’ relationship
Edmond Dantes — The protagonist of the novel. This paper refers to Dantes by his given name until Chapter 30, after which he is generally referred to him as the count of Monte Cristo.
Mercédes — Dantes’ beautiful and good fiancée. Though Mercédes marries another man, Mondego Mondego while Dantes is in prison, she never stops loving Dantes. Mercédes is one of the few whom Dantes both punishes (for her disloyalty) and rewards (for her enduring love and underlying goodness).
Mondego — Dantes’ rival for Mercédes’ affections. Mondego helps in framing Dantes for treason and then marries Mercédes himself when Dantes is imprisoned. Through acts of treachery Mondego becomes a wealthy and powerful man and takes on the name of the Count de Morcerf. He is the first victim of Dantes’ vengeance.
Haydée — The daughter of Ali Pacha, the vizier of the Greek state of Yanina. Haydée is sold into slavery after her father is betrayed by Mondego and murdered. Dantes purchases Haydée’s freedom and watches her grow into adulthood, eventually falling in love with her.
Gérard de Villefort — The blindly ambitious public prosecutor responsible for sentencing Dantes to life in prison, who is just going to marry Renee for his political reasons.
Renee – the daughter of M. de Saint Meran (Villefort’s senior). Renee likes Villefort , who pays more attention other than herself.
Altogether there are four couples of lovers. Their relationship can show as follows:
Dantes Mondego
Mercedes
Villefort Renee
means love
Love has run through The Count of Monte Cristo. Everything comes from it and ends with it.
4. The devastation of love
4.1 Love – the last straw of revenge
At the very beginning of The Count of Monte Cristo, we can easily find Dantes’ deep love for Mercedes. Only having a necessary talk with his boss and his father, Dantes immediately goes to meet Mercedes who expects Dantes no less impatiently than his father. However, it is Mondego who also declares that he loves Mercedes. “… Make me understand once for all that you are trifling with my happiness, that my life or death is nothing to you. Ah, to have dreamed for ten years of being your husband, Mercedes, and to lose that hope, this was the only stay of my existence!"[8]
But it is Mondego who stays with Mercedes all the time when Dantes is on his duty leaving Mercedes. Mondego always looks at Mercedes with “an air in which vexation and uneasiness were mingled. He questioned her with his eyes, but the firm and steady gaze of the young girl controlled his look.” Yes, he loves her so that he wants her to become his own belongings. Because she is “trifling with his happiness, that his life or death are immaterial to her” .Even Mondego “have dreamed for ten years of being her husband, and to lose that hope, with was the only stay of his existences.” What’s Mercedes response? “I love Edmond Dantes” the young girl calmly replied, “and none but Edmond shall ever be my husband.”
“And you will always love him?”
“As long as I live”
Here comes, the first hint for revenge. While Dantes believes so much that as long as Mercedes lives, she will not marry others but him. However, Mercedes marries Mondego. There is no choice but revenge for a man knew his most reliable fiancée married his enemy ----- Mondego. It is the enemy who put him into prison for fourteen years. However, when Dantes first meets Mondego, he does not realize that Mondego considers him as his enemy. “I did not know, when I came with such haste to you, that I was to meet an enemy here.”
As we all know, an enemy always comes with killing. That is revenge, when two men love the same woman, there is nothing but a duel. Love no matter it is pure or deep, has become a last straw for the revenge in the future.
51due留学教育原创版权郑重声明：原创留学生作业代写范文源自编辑创作，未经官方许可，网站谢绝转载。对于侵权行为，未经同意的情况下，51Due有权追究法律责任。
51due为留学生提供最好的college letter代写服务，亲们可以进入主页了解和获取essay代写的相关资讯 提供美国作业代写服务，详情可以咨询我们的客服QQ:800020041哟。-L
1. Introduction
The name of Alexandre Dumas is synonymous with romance and adventure. In June 1844 he wrote The Count of Monte Cristo, his most enduring novel. It has not only delighted generations of readers but made history exciting. It is a great pity that so far we have done little research on this book. This paper centers on the research in the field of love in The Count of Monte Cristo. [1]
Love is a forever theme in every form of literature. Alexandre Dumas has no exception since he is such a romantic person. But Alexandre Dumas has given a new annotation to love. In his novel The Count of Monte Cristo, love plays two different roles----a killer and a saver.
2. Context
2.1 Plot overview
At the age of nineteen, Edmond Dantes seems to have the perfect life. He is about to become the captain of a ship; He is engaged to a beautiful and kind young woman, Mercedes; And he is well liked by almost everyone who knows him. This perfect life, however, stirs up dangerous jealousy among some of Dantes’ so-called friends. Danglars, the treasurer of Dantes ship, envies Dantes’ early career success; Mondego Mondego is in love with Dantes’ fiancee and so covets his amorous success; His neighbor Caderousse is simply envious that Dantes is so much luckier in life than he is.
Together, these three men draft a letter accusing Dantes of treason. There is some truth to their accusations: As a favor to his recently deceased captain, Dantes is carrying a letter from Napoleon to a group of Bonapartist sympathizers in Paris. Though Dantes himself has no political leanings, the undertaking is enough to implicate him for treason. On the day of his wedding, Dantes is arrested for his alleged crimes.
The deputy public prosecutor, Villefort, sees through the plot to frame Dantes and is prepared to set him free. At the last moment, though, Dantes jeopardizes his freedom by revealing the name of the man to whom he is supposed to deliver Napoleon’s letter. The man, Noirtier, is Villefort’s father. Terrified that any public knowledge of his father’s treasonous activities will thwart his own ambitions, Villefort decides to send Dantes to prison for life. Despite the entreaties of Monsieur Morrel, Dantes’ kind and honest boss, Dantes is sent to the infamous Chateau d’If, where the most dangerous political prisoners are kept.
While in prison, Dantes meets Abbe Faria, an Italian priest and intellectual, who has been jailed for his political views. Faria teaches Dantes history, science, philosophy, and languages, turning him into a well-educated man. Faria also bequeaths Dantes a large treasure hidden on the island of Monte Cristo, and he tells him how to find it should he ever escape. When Faria dies, Dantes hides himself in the abbe’s shroud, thinking that he will be buried and then dig his way out. Instead, Dantes is thrown into the sea, and is able to cut himself loose and swim to freedom.
Dantes travels to Monte Cristo and finds Faria’s enormous treasure. He considers his fortune a gift from God, given to him for the sole purpose of rewarding those who have tried to help him and, more important, punishing those who have hurt him. Disguising himself as an Italian priest who answers to the name of Abbe Busoni, he travels back to Marseilles and visits Caderousse, who is now struggling to make a living as an innkeeper. From Caderousse he learns the details of the plot to frame him. In addition, Dantes learns that his father has died of grief in his absence and that Mercedes has married Mondego. Most frustrating, he learns that both Danglars and Mondego have become rich and powerful and are living happily in Paris. As a reward for this information, and for Caderousse’s apparent regret over the part he has played in Dantes’ downfall, Dantes gives Caderousse a valuable diamond. Before leaving Marseilles, Dantes anonymously saves Morrel from financial ruin.
Ten years later, Dantes emerges in Rome, calling himself the Count of Monte Cristo. He seems to be all knowing and unstoppable. In Rome Dantes ingratiates himself with Albert de Morcerf, son of Mondego and Mercedes, by saving him from bandits. In return for the favor, Albert introduces Dantes to Parisian society. None of his old cohorts recognize the mysterious count as Edmond Dantes, though Mercedes does. Dantes is thus able to insinuate himself effortlessly into the lives of Danglars, Mondego, and Villefort. Armed with damning knowledge about each of them that he has gathered over the past decade, Dantes sets an elaborate scheme of revenge into motion. Mondego, now known as the Count de Morcerf, is the first to be punished. Dantes exposes Morcerf’s darkest secret: Morcerf made his fortune by betraying his former patron, the Greek vizier Ali Pacha. He then sold Ali Pacha’s wife and daughter into slavery. Ali Pacha’s daughter, Haydee, who has lived with Dantes ever since he bought her freedom seven years earlier, testifies against Morcerf in front of the senate, irreversibly ruining his good name. Ashamed by Morcerf’s treachery, Albert and Mercedes flee, leaving their tainted fortune behind. Morcerf commits suicide.
Villefort’s punishment comes slowly and in several stages. Dantes first takes advantage of Madame de Villefort’s murderous intent, subtly tutoring her in the use of poison. As Madame de Villefort wreaks her havoc, killing off each member of the household in turn, Dantes plants the seeds for yet another public expose. In court, it is revealed that Villefort is guilty of attempted infanticide, as he tried to bury his illegitimate baby while it was still alive. Believing that everyone he loves is dead and knowing that he will soon have to answer severe criminal charges, Villefort goes insane.
For his revenge on Danglars, Dantes simply plays upon his greed. He opens various false credit accounts with Danglars that cost him vast amounts of money. He also manipulates Danglars’ unfaithful and dishonest wife, costing Danglars more money, and helps Danglars’ daughter, Eugenie, run away with her female companion. Finally, when Danglars is nearly broke and about to flee without paying any of his creditors, Dantes has the Italian bandit Luigi Vampa kidnap him and relieve him of his remaining money. Dantes spares Danglars’ life, but leaves him penniless.
Meanwhile, as these acts of vengeance play out, Dantes also tries to complete one more act of goodness. Dantes wishes to help the brave and honorable Maximilian Morrel, the son of the kind shipowner, so he hatches an elaborate plot to save Maximilian’s fiancee, Valentine Villefort, from her murderous stepmother, to ensure that the couple will be truly happy forever. Dantes gives Valentine a pill that makes her appear dead and then carries her off to the island of Monte Cristo. For a month Dantes allows Maximilian to believe that Valentine is dead, which causes Maximilian to long for death himself. Dantes then reveals that Valentine is alive. Having known the depths of despair, Maximilian is now able to experience the heights of ecstasy. Dantes too ultimately finds happiness, when he allows himself to fall in love with the adoring and beautiful Haydee.[2]
2.2 Context on the author
Like his Romantic colleagues, Dumas believed in the principles of social equality and individual rights. [4] He tried to infuse his dramatic works with these principles. Dumas went further than writing about his beliefs, however. He took an active role in the Revolution of 1830, helping to capture a powder magazine at Soissons, and he was appointed organizer of the National Guard at Vendee. Encountering strong local opposition, Dumas gave up the position, refusing to act against the wishes of the majority.
Returning to the literary community of Paris, Dumas continued to write popular plays, sticking to historical works that he filled with melodrama. He also began to write travel literature, which led to a walking tour of southern France in 1834 [5] (a tour that he would later put to use in The Count of Monte Cristo). In the late 1830s, Dumas began writing novels, as much for financial gain as for artistic reasons. At that time, it was common for cheap newspapers to run novels in serial form. If a writer was adept at writing quickly and melodramatically, as Dumas was, the financial incentives would be enormous. Dumas was so good at this sort of writing that he sometimes had three or four serial novels running simultaneously. His writing soon made him the most famous Frenchman of his day, and he gained renown throughout the Western world. In 1844, the same year when he published The Three Musketeers, Dumas began the serialization of The Count of Monte Cristo. He continued writing prolifically for most of his life, publishing his last novel, The Prussian Terror, in 1867, three years before his death.
Dumas was also a generous man, granting money and gifts to virtually anyone who asked. Dumas’ self-indulgent lifestyle and excessive generosity eventually took a toll on his finance. By the time he suffered a stroke in 1870, he was far from a rich man, despite the fact that he had earned millions of dollars in his lifetime. He died in December, 1870.
2.3 The origin of the story of The Counte of Monte Cristo
Dumas’ liberal borrowing from outside sources occasionally brought him accusations of plagiarism. While he lifted many of his plotlines from the works of other authors and from historical events, he molded these stories in his own characteristic way, making them his own. The Count of Monte Cristo is an example of the appropriation process Dumas frequently employed. His inspiration for the novel was from an anecdote he read in Memoires historiques tires des archives de la police de Paris,[6]a collection of intriguing criminal cases recorded by Jacques Peuchet, a former police archivist. The anecdote relates that in 1807, a man named Fran?ois Pi?aud became engaged to a pretty and wealthy girl, inspiring the envy of his friends. One of these friends, Loupian, persuaded the others to join him in denouncing Pi?aud as an English spy. Though innocent of the charge, Pi?aud was arrested and kept in prison for seven years. While in prison, he befriended a rich Italian cleric who left Pi?aud his vast fortune when he died. Pi?aud returned to Paris in 1815 as a wealthy man. Using his wealth, as well as numerous disguises, he enacted a complex plan to avenge himself on his enemies, murdering several of them. Though this real-life story has all the essential plot elements of Dumas’ novel, it lacks the fantastical, epic proportions of a great melodrama. Dumas’ greatest gift was his ability to grant epic proportion to existing stories.[7]
3. Introduction of the lovers’ relationship
Edmond Dantes — The protagonist of the novel. This paper refers to Dantes by his given name until Chapter 30, after which he is generally referred to him as the count of Monte Cristo.
Mercédes — Dantes’ beautiful and good fiancée. Though Mercédes marries another man, Mondego Mondego while Dantes is in prison, she never stops loving Dantes. Mercédes is one of the few whom Dantes both punishes (for her disloyalty) and rewards (for her enduring love and underlying goodness).
Mondego — Dantes’ rival for Mercédes’ affections. Mondego helps in framing Dantes for treason and then marries Mercédes himself when Dantes is imprisoned. Through acts of treachery Mondego becomes a wealthy and powerful man and takes on the name of the Count de Morcerf. He is the first victim of Dantes’ vengeance.
Haydée — The daughter of Ali Pacha, the vizier of the Greek state of Yanina. Haydée is sold into slavery after her father is betrayed by Mondego and murdered. Dantes purchases Haydée’s freedom and watches her grow into adulthood, eventually falling in love with her.
Gérard de Villefort — The blindly ambitious public prosecutor responsible for sentencing Dantes to life in prison, who is just going to marry Renee for his political reasons.
Renee – the daughter of M. de Saint Meran (Villefort’s senior). Renee likes Villefort , who pays more attention other than herself.
Altogether there are four couples of lovers. Their relationship can show as follows:
Dantes Mondego
Mercedes
Villefort Renee
means love
Love has run through The Count of Monte Cristo. Everything comes from it and ends with it.
4. The devastation of love
4.1 Love – the last straw of revenge
At the very beginning of The Count of Monte Cristo, we can easily find Dantes’ deep love for Mercedes. Only having a necessary talk with his boss and his father, Dantes immediately goes to meet Mercedes who expects Dantes no less impatiently than his father. However, it is Mondego who also declares that he loves Mercedes. “… Make me understand once for all that you are trifling with my happiness, that my life or death is nothing to you. Ah, to have dreamed for ten years of being your husband, Mercedes, and to lose that hope, this was the only stay of my existence!"[8]
But it is Mondego who stays with Mercedes all the time when Dantes is on his duty leaving Mercedes. Mondego always looks at Mercedes with “an air in which vexation and uneasiness were mingled. He questioned her with his eyes, but the firm and steady gaze of the young girl controlled his look.” Yes, he loves her so that he wants her to become his own belongings. Because she is “trifling with his happiness, that his life or death are immaterial to her” .Even Mondego “have dreamed for ten years of being her husband, and to lose that hope, with was the only stay of his existences.” What’s Mercedes response? “I love Edmond Dantes” the young girl calmly replied, “and none but Edmond shall ever be my husband.”
“And you will always love him?”
“As long as I live”
Here comes, the first hint for revenge. While Dantes believes so much that as long as Mercedes lives, she will not marry others but him. However, Mercedes marries Mondego. There is no choice but revenge for a man knew his most reliable fiancée married his enemy ----- Mondego. It is the enemy who put him into prison for fourteen years. However, when Dantes first meets Mondego, he does not realize that Mondego considers him as his enemy. “I did not know, when I came with such haste to you, that I was to meet an enemy here.”
As we all know, an enemy always comes with killing. That is revenge, when two men love the same woman, there is nothing but a duel. Love no matter it is pure or deep, has become a last straw for the revenge in the future.
51due留学教育原创版权郑重声明：原创留学生作业代写范文源自编辑创作，未经官方许可，网站谢绝转载。对于侵权行为，未经同意的情况下，51Due有权追究法律责任。
51due为留学生提供最好的college letter代写服务，亲们可以进入主页了解和获取essay代写的相关资讯 提供美国作业代写服务，详情可以咨询我们的客服QQ:800020041哟。-L
