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A Streetcar Named Desire --论文代写范文精选

2015-10-19 来源: 51due教员组 类别: Essay范文

51due论文代写网essay代写范文:“ A Streetcar Named Desire” 这篇essay是关于《欲望号街车》的介绍。田纳西·威廉斯是美国著名剧作家,他的三大戏剧:《玻璃动物园》,《欲望号街车》和《热铁皮屋顶上的猫》。如果玻璃动物园使威廉姆斯成名,那么《欲望号街车》使他进入令人剧作家精英的行列。剧本具有成功的商业和批判性精神。

Tennessee Williams is an American playwright famous for three big plays: Glass Menagerie in 1944, A Streetcar Named Desire in 1947, and Cat on a Hot Tin Roof in 1955. If The Glass Menagerie propelled Williams to fame, Streetcar ensured that his name would never leave the ranks of the playwright elite. The play, which tells the story of an aging Southern belle’s difficult relationship with her aggressive brother-in-law, was successful both commercially and critically. It opened in December of 1947 on Broadway and ran for over two full years, earning two Tony awards for the stage production and the 1948 Pulitzer Prize.

The initial Broadway cast is almost as famous as the play for one big reason: Marlon Brando. (Whom you know as the Godfather, but who was the Brad Pitt of his day when he was younger.) Virtually an unknown at the time of the play’s casting, Streetcar propelled this young star to big-time fame after the Broadway production (and cast) was converted to a blockbuster movie in 1951. The only change from the Broadway cast was the role of protagonist Blanche DuBois, given in the film to then-famous Vivian Leigh (Scarlett from Gone with the Wind), so the movie would have some star-power.

Streetcar really pushed the envelope of what was acceptable sexually in the 1940s, and Brando took the role of aggressive, macho Stanley Kowalski to the very edge (critic Arthur Miller aptly called him “a sexual terrorist, a tiger on the loose”). His performance was so memorable that many theaters to this day refuse to produce the play on the grounds that any actor trying to portray Stanley Kowalski would inevitably be written off as a lesser version of Brando.

Speaking of sexuality, Streetcar was censored when it was converted to film, like another Williams play, Cat on a Hot Tin Roof. Both plays include a gay man who, restricted by social boundaries in the 1940s and 50s, marries a woman. While this is a central part of Cat, it is a minor part of Streetcar. Streetcar also shares similarities with Williams’s first big play, Glass Menagerie. Streetcar's Blanche Dubois resembles Amanda Wingfield in Glass Menagerie; both are Southern belles who have difficulty moving past their outdated social ideals.

These common themes appear to be autobiographical for Williams, who was raised in Tennessee (hence the nickname) and grew up gay in a homophobic society. In fact, some believe that Williams based the character of Stanley Kowalski on a man named Pancho Rodriguez Gonzalez whom he was dating at the time (source).


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